Issued: 12 / 2016
Publisher: Charles University, Faculty of Arts Press
ISSN: 2336-6680
211 pages
Editorial
(Libuše Heczková — Kateřina Svatoňová), p. 11-12 |
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Studies
I Speak, Therefore I Am
(Marie Langerová), p. 13-25 |
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‘I Do not Distinguish between Major and Minor Pieces in Art’
(Pavel Kordík), p. 26-53 |
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From Non-music to Music. Musical Use of Noise in the 20th Century
(Matěj Kratochvíl), p. 54-60 |
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Existence and He, Who Faints at The Makropulos Affair, The Campaign of Shadows (Modernism) and in The Spirit of the (Central European) Land
(Kristýna Celhofferová), p. 61-76 |
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Sketched Soundscapes
A Reflection on Rhythm in Speech, Poetry and so forth
(Klára Čermochová), p. 79-88 |
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Disruptive Experience of Madness: Destratification of Sound in ‘Anti-psychiatry’ Films
(Jiří Anger), p. 89-96 |
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What are Our Voices Capable of? Phonetic Perspective on the Variability of Speech Production
(Radek Skarnitzl), p. 97-115 |
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Question for…
To Frame a Sound: Interview with Václav Flegl
(Libuše Heczková — Kateřina Svatoňová), p. 119-124 |
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Retrospective I
Letter to Miloslav Topinka
(Rauol Hausmann), p. 127-130 |
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Retrospective II
Otokar Fischer
(Josef Čermák), p. 134-153 |
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Examples from the Otokar Fischerʼs Translational Work: Hölderlin a Werfel
(Michal Topor), p. 154-170 |
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Critical Views
The Body of Music
(Jakub Kudláč), p. 173-175 |
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Flašarʼs Contribution to the History of Multimedial Creation: Poème électronique as Crucial Realisation of Architektural Projection of Music
(Olga Kovaříková), p. 176-180 |
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The one who isnʼt
(Václav Vaněk), p. 181-184 |
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Epically About the narrative literature
(Ladislav Futtera), p. 185-190 |
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The Magnificent Seven? Literary Culture in the Perspective of Gender
(Andrea Králíková), p. 191-194 |
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Překlad_Translation
Origins of theory of punk
(Ondřej Sýkora), p. 197-199 |
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Listening to punk
(Dave Laing), p. 200-211 |
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